NIGHT SONG

Maneesh Verma has artistically adapted the original play, ‘Death and the Maiden’ in the context of Gujarat’s communal violence. ‘Night Song’ plays on two levels. On one level, ‘Night Song’ is a gripping suspense machine: Is Dr. Avishkar guilty or not? If so, what will Komal do to him? Does she have a right to take revenge even if he is guilty? Is she right or is she crazy? Is she both? On another level, it is no-hold-barred scrutiny of the human capacity to be cruel. It nevertheless leaves the audience reluctant to look in the mirror, for fear of finding signs in our own faces confirming that this capacity is part of our nature.
This play is the Director’s reaction, her moral duty as a human being and as an artist, towards the cries of the riot victims who are still running around the courts begging for justice. But the questions posed are, ‘what kind of justice will satisfy their bodies and souls?’ ‘What should one do if the government is unable to give one the required justice?’ ‘Should one take the law into one’s own hand?’ ‘Should one follow the system or fight against its flaws?’ Through this play the Director wants to understand, feel, relate and react to the present condition of women who have suffered extreme atrocities, who are affected physically, economically, psychologically, emotionally, morally and are no more the person they used to be.

HO RAHEGA KUCH NA KUCH

Mohan Maharishi’s adaptation of Marsha Norman’s ‘Night Mother’ is a taut and fluid drama that deals with the ultimate existentialist issues. The subjects of suicide, love and the meaning of life – as huge as they come, are treated with unsettling specificity.
It forces the audience to honestly think about the meaning of life and the relationship of man with the sacred. Humour and pathos pop up as naturally as wild flowers or fences by the roadside. There is devastating psychological accuracy laced with minutely perceived existential details. A purely domestic apocalypse is quietly raised to the level of a Greek Tragedy through a spare but lyrical dialogue between a mother and a daughter. The play is a disturbing, honest statement about responsibility and courage that eventually fills the audience with exaltation.
Marsha Norman’s Pulitzer Prize winner play, ‘Night Mother was first read at Circle Repertory Company, New York in November 1981 and its world premier was held at the American Repertory Theatre in Cambridge, Massachusetts in December 1982. It also had its successful Broadway run in 1983.
NATWA Theatre Society (details on www.Natwatheatre.com) has chosen this two-actor play to emphasize its credo that good theatre must be concerned with larger themes while entertaining and delighting the audiences. We hope that the play will be a reminder that a theatre is a place where the spectator can let oneself go, drop his/her acquired stances and be in touch with his/her real self. In this production ‘HO RAHEGA KUCH NA KUCH’, the dramatic process is set into motion by three accomplished theatre persons, who need no introduction.
Mohan Maharishi directs Harvinder Kaur and Anjala Maharishi in this latest NATWA venture.

HO RAHEGA
KUCHH NA KUCHH



(Staged at SRC Delhi on 25th & 26th Feb.06)

Show & Ticket Details
MUMBAI SHOWS
NCPA Experimental Theatre
Nariman Point, Mumbai
Saturday, 6th May 2006 at 7:00 pm
Sunday, 7th May 2006 at 6:30 pm
Tickets: Rs 150/-
Avaialable at NCPA Box Office
Home Delivery 022- 22824567, 56548135-38
Children below the age of 12 not allowed

NIGHT  SONG
Show & Ticket Details
DELHI SHOWS

Sri Ram Centre, Mandi House, Delhi

29th & 30th April, 2006 at 7.00 pm
Play Duration: 1hr 40mins
(without interval)
Ticket Rate Rs. 300, 200, 100 &
50 (balcony)
Available at SRC Box Office from 28th April
Telebooking: 9871138382, 9810977174
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